Showing posts with label zodiac. Show all posts
Showing posts with label zodiac. Show all posts

Friday, 19 June 2020

Lilly's Easy and Familiar method of judging eclipses, Part 3: Lilly's constellational zodiac

This is the third part of my series of extracts from Lilly's "Easy and familiar method" of judging eclipses. (Part 1: Part 2:)

The following discussion is effectively a kind of constellational zodiac, which divides sidereal “signs” into 3 areas of differing planetary influence. You could alternately consider it an extreme version of fixed-star astrology. Lilly’s use of “asterism” to refer to the sidereal signs may be adopted with profit by modern sidereal astrologers.

Lilly included it in this book, because he notes in the first part, that if fixed stars are prominently placed in an eclipse chart, the nature of the stars would often tell you something about the nature of the eclipse.

Lilly the word ‘asterism’ to refer to the constellation that bears the name of the zodiac signs; so the tropical sign of Aries is distinct from the Asterism of Aries, its sidereal counterpart, and in Lilly’s time ran from 28 Ari to 17 Tau (tropical). These coordinates cannot be used as-is, for the reader must precess the coordinates/add ayanamsa to them, in order to bring the values up to date.

 Lilly further divides each asterism into three smaller parts, and describes the stars that occupy each part, as well as the weather that accompanies the part when (I presume) the Sun transits in that area.

It should be noted, that like the Chinese Lunar Mansions, Lilly’s Asterisms were extremely uneven in size. The following table will make this plain: Nonetheless , this system cannot be considered as a full-fledged sidereal zodiac, as he did not subdivide the asterisms into degrees.

Modens who would revive this system should note that there is an ambiguity in the numbering: Does Lilly use ordinal or cardinal numbering for the degrees? Or, put it another way, Do Lilly's signs run from 0-29 degrees, or 1-30 degrees? Much work needs to be done on this, work that would doubtless reward anyone who would undertake it.

For the sake of completeness, here is a copy of the original. Numbers in square brackets represent page breaks in the original.




Friday, 27 March 2020

Esoptron Astrologikon or Astrological opticks: A transcription of the 1655 R. Turner translation


28/3/2020/ 0915 

The following text comes from the rather remarkable work 


Esoptron Astrologikon or 
 Astrological opticks.
First published in the 1490s by Johannes Angelus, it gives an image for every single degree of the zodiac.This English translation by R. turner was first published in 1655, Facsimilies of the book have appeared before, vide http://www.lulu.com/shop/johannes-angelus/astrological-optics-natal-astrology-astrological-magic/paperback/product-280547.html) but to the author's knowledge, this is the first time the whole text has been retyped and placed online. 

The reason behind this extremely elaborate system is explained in the introduction. It was used as an aid to rectify nativities: to each degree of the zodiac is attached a symbol and a character description. which could be used to deduce the rising degree of someone with an unknown birth time. In turn, the job descriptions for these degrees can be used to the same end- or as Lilly says, could be used to determine which is the most suitable job for the native.

By performing the extremely laborious task of transcribing this book, I hope it would give scholars and practitioners an opportunity to study and use this text --  or perhaps, even create a better translation.  For a rather interesting discussion of the text see https://heavenastrolabe.wordpress.com/2009/07/08/about-the-stars-of-angelus-astrolabium-planum/.


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The following text is the un-edited transcript of the original, which was found on EEBO. The transcript below does not consistently represent the erratic spelling, capitalisation, italicisation, and line breaks in the original text. The numbers by the side of each entry of the degrees are added by me for convenience. Anything in square brackets is also added by me. The numbers in square brackets are the positions of the page breaks in the original. In the two prefaces, I have used foilo numbers instead. 

For the sake of comparison, here is a two-page spread of the original



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